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Parution : Laura Stagno and Borja Franco Llopis (ed.), Lepanto and Beyond. Images of Religious Alterity from Genoa and the Christian Mediterranean, Leuven University Press, February 2021

Interdisciplinary approach to the Iberian and Italian perceptions and representations of the Battle of Lepanto and the Muslim “other”

The Battle of Lepanto, celebrated as the greatest triumph of Christianity over its Ottoman enemy, was soon transformed into a powerful myth through a vast media campaign. The varied storytelling and the many visual representations that contributed to shape the perception of the battle in Christian Europe are the focus of this book. In broader terms, Lepanto and Beyond also sheds light on the construction of religious alterity in the early modern Mediterranean. It presents cross-disciplinary case studies that explore the figure of the Muslim captive in historical documentation, artistic depictions, and literature. With a focus on the Republic of Genoa, the authors also aim to balance the historical scale and restore the important role of the Genoese in the general scholarly discussion of Lepanto and its images.

Borja Franco Llopis is associate professor of early modern art history at the UNED (Madrid), and principal investigator of the International Research Group “Before Orientalism: Images of the Muslim Other in Iberia”.
Laura Stagno is associate professor of early modern art history at the University of Genoa and Scientific Director of the Museum of Palazzo del Principe in Genoa.

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OpenEdition vous propose de citer ce billet de la manière suivante :
Chargé de diffusion scientifique (24 mars 2021). Parution : Laura Stagno and Borja Franco Llopis (ed.), Lepanto and Beyond. Images of Religious Alterity from Genoa and the Christian Mediterranean, Leuven University Press, February 2021. IISMM. Consulté le 8 décembre 2024 à l’adresse https://doi.org/10.58079/q1p9


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